Green Tara (1995-1996) Kathmandu, Nepal. On natural pigments on handmade cotton canvas.
The Legend says that when Avalokiteshvara, 'the great compassionate', looked upon earth he wept as he saw all the suffering and out of his tears emerged the White Tara representing longevity and the Green Tara representing compassion in action.
The Green Tara was my first Tankha painting which I started after completing two years of practise. I worked on this painting continuously for a period of five months. The Tara and Tohrana (the animals, lotus and decoration which surround Tara) were copied from the 11th century Green Tara at Cleveland Museum. The cave, lake, trees etc were inspired from other paintings of approximately the same period.
Work started by making the cotton canvas which becomes fine and flexible from rubbing over and over again with an agate stone. Next the crushing of the pigments, made from various semi precious stones, for example malachite for the body and azurite for the blue cave surrounding Tara. Gold, which is polished, is used for the jewellery. First a rough outline is painted with ink. The canvas is then painted layer upon layer and finally the shading, eg on the body, is completed using semi-transparent pigment which we call the 'juice' of a pigment.
Buddhist Iconography painted on canvas that can be rolled becomes highly transportable. These paintings are instrumental in the teaching of Buddhism. For many thousands of years such paintings were made with natural pigments and animal glue. This is the technique taught to me by Roshan Sakya, the renowned Newar tankha painter living in Kathmandu, Nepal. These images are full of symbolism, for instance the positioning of the fingers reveal different meanings. Tara is not sitting in a full lotus but in the position known as lalita sana which symbolises the Green Tara's compassion going into action. There are many different attributes pertaining to flowers and animals. For example the blue flower represents purity. The muckers, (the pink trunked animals), are composed of five different animals thereby taking on qualities of each of them.
I give special thanks to my teacher Roshan Sakya, and to Elizabeth & Chino Roncoroni for their unfailing guidance and support.
The Green Tara Tankha is at present in the temple building at Lalita - Centre of Creative Activities, Acebo in southwest Spain. For further information about the centre and their current programme please go to http://www.lalita.net